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Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
One block was used for each colour of the final fabric, The block was inked by placing into a vat of colorant, and then carefully placed onto the fabric on the table in front of the craftsman. He pounded it with a mallet to impress the colour, then he lifted the block carefully, moved the fabric, re-inked the block, and printed the next section ...
A block-printing machine applies resin to both sides of the fabric. It is then submerged into the dye, in order to allow the dye to be repelled by the resin covered parts of the fabric. This process is repeated, to build up a coloured design on the fabric.
Evenlode block-printed fabric Textile printing is the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre , so as to resist washing and friction .
These were printed by putting the paper/fabric on a table or other flat surface with the block on top, and pressing or hammering the back of the block. Rubbing: Apparently the most common method for Far Eastern printing on paper at all times. Used for European woodcuts and block-books later in the fifteenth century, and very widely for cloth.
Bagru print is a form of hand block printing done by natural colours followed by the Chippa's (involved in fabric printing tradition for over 100 years) [1] in Bagru, India. [2] [3] These prints of Bagru are acclaimed all over world. [4] The Prints of Bagru, unlike other prints, involve a different kind of printing.