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The key idea of 001SHOW is the combination of seemingly incompatible elements reflected in the music and visuals. Modern futuristic decorations blend with the stunning beauty of nature, with a circular stage set in a tropical forest. It gleams with a metallic sheen by day, contrasting with ETOLUBOV and her ballet outfits against the lush greenery.
A second ident, to be used before the news, replaces the tree with an already-drawn snowflake that morphs into the BBC One logo and removes the background music. A longer version of the "Snowflake" variant, with background music was later introduced, along with an additional ident that used fireworks as the backdrop to reflect the New Year.
"Beautiful Monster"'s original cover art was revealed online on May 21, 2010, which was a close-up of Ne-Yo's profile with a mysterious woman lurking in a forest in the background. [2] Although another cover art was revealed with the forest background altered to a city, including buildings and a flashing car light, the original cover with the ...
Forest 404 is a science fiction podcast written by Timothy X Atack and starring Pearl Mackie. The project was a collaboration among BBC Radio 4 , the BBC Natural History Unit , the University of Bristol , the University of Exeter , and the Open University .
This is a list of Music and dance anime, OVAs, ONAs, and films – Music is inseparable part of the plot or drives the plot: 1.)Characters individually or as a group (band, orchestra, dance crew...) either perform music pieces whether by singing or playing instruments or both, or dance to the music. 2.)
Corporate music (or corporate production music) is a term for background music, made to work with company presentations: rather subtle, understated and unobtrusive. [16] However, it should not be confused with "corporate pop" - pop music produced by corporations and that "blurs the line between independent and mainstream". [17]
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Waldszenen (Forest Scenes), Op. 82, is a set of nine short solo piano pieces composed by Robert Schumann in 1848–1849, first published in 1850–1851 in Leipzig by Bartholf Senff. [ 1 ] On the set, Schumann wrote: "The titles for pieces of music, since they again have come into favor in our day, have been censured here and there, and it has ...