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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
The Last Judgment is a triptych attributed to Flemish painter Hans Memling and was painted between 1467 and 1471. It is now in the National Museum in Gdańsk in Poland . It was commissioned by Angelo Tani, [ 1 ] an agent of the Medici at Bruges , but was captured at sea by Paul Beneke , a privateer from Danzig.
The Last Judgement is a triptych of oil paintings by the British artist John Martin, created in 1851–1853.The work comprises three separate paintings on a theme of the end of the world, inspired by the Book of Revelation.
The Last Judgment in the Cattedrale di Santa Maria del Fiore, in Florence, Italy is a fresco painting which was begun by the Italian Renaissance master Giorgio Vasari in 1572 and completed after his death by Federico Zuccari, in 1579.
The Last Judgment is a triptych by the Early Netherlandish artist Hieronymus Bosch, created after 1482.. The triptych is now in the Academy of Fine Arts in Vienna, Austria.The outside of the shutters panel are painted in grisaille on panel, while the inside shutters and the center panel are painted in oil.
The Last Judgement (Biberach Master) The Last Judgement (Martin paintings) Last Judgement (Fra Bartolomeo) Last Judgement (Lochner) Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence)
The painting's composition has similarities to The Last Judgment triptych in Vienna and The Garden of Earthly Delights: both show the Garden of Eden in the left panel and Hell at right. As in other contemporary Flemish triptychs, the shutters are externally painted in grisaille with a Coronation with Thorns.
Art historians are unsure as to whether the panels were meant to be a diptych or a triptych. [12] They may have formed the outer wings of a triptych, with a since-lost panel representing the Adoration of the Magi at the centre, [13] or, as the German art historian J.D. Passavant speculated in 1841, the lost centre panel may have been a Nativity ...