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Ancient Egyptian literature was written with the Egyptian language from ancient Egypt's pharaonic period until the end of Roman domination. It represents the oldest corpus of Egyptian literature . Along with Sumerian literature , it is considered the world's earliest literature .
"Lot No. 249" is a Gothic horror short story by British writer Arthur Conan Doyle, first published in Harper's Magazine in 1892. The story tells of a University of Oxford athlete named Abercrombie Smith who notices a strange series of events surrounding Edward Bellingham, an Egyptology student who owns many ancient Egyptian artefacts, including a mummy.
The ancient Egyptians wrote works on papyrus as well as walls, tombs, pyramids, obelisks and more. Perhaps the best known example of ancient Jehiel literature is the Story of Sinuhe; [2] other well-known works include the Westcar Papyrus and the Ebers papyrus, as well as the famous Book of the Dead.
The "Tale of Two Brothers" is an ancient Egyptian story that dates from the reign of Seti II, who ruled from 1200 to 1194 BC during the 19th Dynasty of the New Kingdom. [1] The story is preserved on the Papyrus D'Orbiney, [ 2 ] which is currently held in the British Museum.
E. A. Wallis Budge's "The Literature of the Ancient Egyptians", published in 1914, states that the papyrus that contained the story was located within the Imperial Library at St. Petersburg. [1] Miriam Lichtheim 's "Ancient Egyptian Literature Vol I", published in 1973, reiterates this, further stating that the papyrus, called P. Leningrad 1115 ...
This story is an example of an Egyptian folktale. It shows the existence of written and oral traditions in ancient Egyptian culture. The story also emphasizes the importance of the concept of fate to the Egyptian society: the idea of personal fate, destiny or doom surely played an integral role in people's lives.
"Khonsuemheb and the ghost", often known simply as A ghost story, is an ancient Egyptian ghost story dating back to the Ramesside period. Its protagonist is a priest named Khonsuemheb (also rendered as Khonsemhab, in both cases meaning "Khonsu is in jubilation") and the story revolves around his encounter with a restless ghost.
The remaining stanzas of the story do not fit more traditional Egyptian narrative styles, at least until Sinuhe is able to return and be laid to rest in Egypt. This is a key narrative choice showing how Sinuhe is disconnected from traditional Egyptian culture once he departs from the safety and security of his homeland. [ 3 ]