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The ratio between the areas of similar figures is equal to the square of the ratio of corresponding lengths of those figures (for example, when the side of a square or the radius of a circle is multiplied by three, its area is multiplied by nine — i.e. by three squared). The altitudes of similar triangles are in the same ratio as ...
Comparison or comparing is the act of evaluating two or more things by determining the relevant, comparable characteristics of each thing, and then determining which characteristics of each are similar to the other, which are different, and to what degree. Where characteristics are different, the differences may then be evaluated to determine ...
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
In geometry, two figures or objects are congruent if they have the same shape and size, or if one has the same shape and size as the mirror image of the other. [ 1 ] More formally, two sets of points are called congruent if, and only if, one can be transformed into the other by an isometry , i.e., a combination of rigid motions , namely a ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Metonymy is similar to synecdoche, but instead of a part representing the whole, a related object or part of a related object is used to represent the whole. [2] Often it is used to represent the whole of an abstract idea. Example: The phrase "The king's guns were aimed at the enemy," using 'guns' to represent infantry.
Despite their similar way of thinking, their different temperaments and sensibilities meant that their artistic works had very different characteristics. [31] [32] An example of this is the comparison of two wooden crucifixes, at the centre of an anecdote told by Giorgio Vasari, who witnessed Brunelleschi's criticism of Donatello's Santa Croce ...
Some scholars look at the linguistic relationships between the myths of different cultures. For example, the similarities between the names of gods in different cultures. One particularly successful example of this approach is the study of Indo-European mythology. Scholars have found striking similarities between the mythological and religious ...