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Rie was a friend of Bernard Leach, one of the leading figures in British studio pottery in the mid-20th century, and she was impressed by his views, especially concerning the "completeness" of a pot. [15] But despite his transient influence, her brightly coloured, delicate, modernist pottery stands apart from Leach's subdued, rustic, oriental work.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. [ 1 ]
The Mungeribar Pottery's mark is a Macdonald's em impressed; Sprague's personal mark is a capital I over a horizontal separator and the Morse code for S—three dots. Some pots are signed "IanS". [20] Drawings and paintings are signed "Ian Sprague"; work signed simply "Sprague" is generally by his nephew Leslie.
Mashiko village pottery, Japan, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the pottery techniques used by Mashiko potters. From the 1850s, these potters produced utilitarian ware for local markets, but the post-war period saw a change with the influence of potter Shoji Hamada.
2017 - Things of Beauty Growing: British Studio Pottery, Yale Center for British Art, New Haven, US and Fitzwilliam Museum, Cambridge, UK. ISBN 9780300227468 2017 - Jennifer Lee: Ceramic and Drawing, Gallery LVS, Seoul, South Korea. 2015 - Jennifer Lee. Ceramics made in Shigaraki and London, Sokyo Gallery, Kyoto, Japan.
From 1904 to 1916 she contributed designs to Keramic Studio. At the Overbeck pottery studio Hannah and her sister, Mary Frances, were primarily responsible for the pottery's decorative designs. Her original design motifs were inspired from nature. She also made hand-formed pottery without the use of a potter's wheel.