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Each different region, island, tribe, and culture in Indonesia has its own head-dress/head-gear worn traditionally by the particular people of the area. The peci or songkok is the national formal head-dress worn by men all over Indonesia, usually worn by government officials. Men's head-dress are usually made of traditional fabrics, while women ...
After Indonesian independence from the Dutch, Sukarno, Indonesia's first president appointed kebaya as a national attire of Indonesia. [43] Kebaya as the national attire was often featured by Indonesian first ladies, notably Fatmawati and Dewi Sukarno, the wives of Sukarno. Nevertheless, the more democratic consensus of kebaya as the national ...
Garuda Pancasila, National symbol and emblem of Indonesia.. Official national symbols of Indonesia are national symbols of Indonesia that represent Indonesian nationhood. These symbols are recognised as official symbols that represent Republic of Indonesia and usually displayed in Indonesian government institution buildings, Indonesian embassies, Indonesian passport, or held by Indonesian ...
However, as the first president of Indonesia it was Sukarno that popularised peci – more precisely plain black velvet peci – as national men's cap of Indonesian, [15] and Indonesian male presidents have worn peci as part of their official presidential attire ever since. Indonesian official palace guards also wore peci as part of their uniform.
The national emblem of Indonesia is called Garuda Pancasila in Indonesian. [2] The main part is the Garuda with a heraldic shield on its chest and a scroll gripped by its legs. The shield's five emblems represent Pancasila , the five principles of Indonesia's national ideology .
Prior to the independence of Indonesia, Jakarta was named Batavia. The first coat of arms of Batavia was officially adopted on 8 February 1911. The arms consisted of a red shield with a blue sword surrounded by a brown laurel wreath, supported by lions holding a sword and arrow, above the arms was a normal city crown, and the motto Ende ...
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The Indonesian Painters Association (Persatuan Ahli-Ahli Gambar Indonesia or PERSAGI, 1938–1942) was formed during this period. PERSAGI established a contemporary art philosophy that saw artworks as reflections of the artist's individual or personal view as well as an expression of national cultural thoughts.