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"Cars" is based on two musical sections: a verse/instrumental break and a bridge.The recording features a conventional rock rhythm section of bass guitar and drums, but the rest of the instruments used are analogue synthesisers, principally the Minimoog (augmenting the song's recognisable bass riff) and the Polymoog keyboard, providing austere synthetic string lines over the bass riff.
"Since You're Gone" is a power ballad about the breakup of a relationship. [1] AllMusic critic Donald A. Guarisco praises the "inspired wordplay" of lyrics like "you're so treacherous/when it comes to tenderness" but also note the heartfelt quality of lyrics like "Since you're gone I never feel sedate/Since you're gone moonlight ain't so great."
A risqué sequence of them engaging in sexual activity in the back of a car matches the lyrics ("She used her body just like a bandage/She used my body just like a wound"). At the end of the video, whenever Meat Loaf sings the line "Objects in the Rear View Mirror May Appear Closer Than They Are", he sees either the ghost of the plane, the ...
[2] Classic Rock History critic Brian Kachejian rated "Moving in Stereo" combined with "All Mixed Up" as released on the album as the Cars' all-time greatest song. [5] Classic Rock History critic Emily Fagan rated it as the Cars 7th best song sung by Orr, saying that it "captures a sense of disorientation and ennui, with Orr delivering lyrics ...
[10] Classic Rock History critic Brian Kachejian rated it as the Cars' third greatest song, noting that it "sounds like nothing else the band ever did." [ 11 ] Classic Rock History critic Emily Fagan rated it as the Cars 2nd best song sung by Orr, praising the way that the "careful arrangement frames the lyrics poignantly, with each line ...
Classic Rock History critic Brian Kachejian rated "Moving in Stereo" combined with "All Mixed Up" as the Cars' all-time greatest song. [3] Classic Rock History critic Emily Fagan rated it as the Cars 4th best song sung by Orr, saying that it "exemplifies the band’s ability to blend catchy pop melodies with deeper, more introspective themes."
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"Let's Go" was described by Brett Milano as "another double-edged anthem" in the liner notes for Just What I Needed: The Cars Anthology. [1] Classic Rock History critic Emily Fagan said that the lyrics "while seemingly straightforward, offer a glimpse into the complex interplay of attraction and cool detachment that became a hallmark of The Cars' sound."