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Shu (書) refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioner's poetic nature, as well as a significant test of manual dexterity. Chinese calligraphy has evolved for thousands of years, and ...
Chinese seal art (1 C, 8 P) T. Chinese tea culture (3 C, 11 P) This page was last edited on 4 July 2023, at 02:41 (UTC). Text is available under the Creative ...
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
Chinese Jade ornament with flower design, Jin dynasty (1115–1234 AD), Shanghai Museum.. The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity.
This page was last edited on 23 January 2022, at 16:38 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. [1] [2] The term compares the four plants to Confucian junzi, or "gentlemen".
The Six principles of Chinese painting were established by Xie He in "Six points to consider when judging a painting" (繪畫六法, Pinyin:Huìhuà Liùfǎ) from the preface to his book The Record of the Classification of Old Painters (古畫品錄; Pinyin: Gǔhuà Pǐnlù) written circa 550 and refers to "old" and "ancient" practices.