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The Rainbow Goblins. Thames & Hudson. ISBN 978-0-500-27759-1. Graham, Lanier F., ed. (1976). The Rainbow Book. Berkeley, California: Shambhala Publications and The Fine Arts Museums of San Francisco. (Large format handbook for the Summer 1976 exhibition The Rainbow Art Show which took place primarily at the De Young Museum but also at other ...
Hampstead Heath with a Rainbow is an 1836 landscape painting by the English artist John Constable. [1] It depicts a scene from Branch Hill in Hampstead overlooking Hampstead Heath. While Constable had previously painted several similar views this work, painted near the end of his career, is notable for the addition of a windmill and a rainbow. [2]
Rainbow Brite uses the rainbow to travel between Rainbowland and Earth. Her horse Starlite has a rainbow mane and tail. The 1988 film The Serpent and the Rainbow; In the 1996 film Rainbow, damage to a rainbow threatens the world at large. In the 2009 film A Shine of Rainbows, the young protagonist is promised to be taken into a rainbow.
The Rainbow is an 1878 oil painting by American artist George Inness, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts a rainbow arcing across the sky after a storm. [1]
In May 2013 the painting was bought by Tate for £23.1m. [5]The acquisition was part of Aspire, a partnership between Tate and four other national and regional galleries – National Museum Wales, the National Galleries of Scotland, Colchester and Ipswich Museums Service and Salisbury and South Wiltshire Museum – and was acquired with major grants and donations from the Heritage Lottery Fund ...
ROYGBIV is an acronym for the sequence of hues commonly described as making up a rainbow: red, orange, yellow, green, blue, indigo, and violet. When making an artificial rainbow, glass prism is used, but the colors of "ROY-G-BIV" are inverted to VIB-G-YOR".
Ay-O's Tactile Box and Finger Box on display in the exhibition Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950–1970 at the Getty Center in Los Angeles. In front of the case is a simulator of the artworks within, where visitors can insert their hands (for the Tactile Box ) or fingers (for the Finger Box ).