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The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
Sefirot (/ s f ɪ ˈ r oʊ t, ˈ s f ɪr oʊ t /; Hebrew: סְפִירוֹת, romanized: səfiroṯ, plural of Koinē Greek: σφαῖρα, lit. 'sphere' [1]), [2] meaning emanations, are the 10 attributes/emanations in Kabbalah, [3] through which Ein Sof ("infinite space") reveals itself and continuously creates both the physical realm and the seder hishtalshelut (the chained descent of the ...
From understanding the Kabbalistic description of the human soul, we can grasp the meaning of the Divine scheme. Ultimately, this is seen as the reason that God chose to emanate His Divinity through the 10 Sephirot, and chose to create the corresponding chain of four Worlds (called the "Seder hishtalshelus"-"order of development"). He could ...
The tree represents a series of divine emanations of God's creation itself ex nihilo, the nature of revealed divinity, the human soul, and the spiritual path of ascent by man. In this way, Kabbalists developed the symbol into a full model of reality, using the tree to depict a map of creation.
The earliest catechisms of Reformed (Calvinist) Christianity, written in the 16th through 18th centuries, including the Heidelberg (1563), Westminster (1647) and Fisher's (1765), included discussions in a question and answer format detailing how the creation of images of God (including Jesus) was counter to their understanding of the Second ...
Echoing an earlier rabbinic comment found in the commentary of Rashi to the Songs of Songs (4:5) Ginzberg explained—there is also a great bond of union between the first five commandments and the last five. The first commandment: "I am the Lord, thy God," corresponds to the sixth: "Thou shalt not kill," for the murderer slays the image of God.
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This frontispiece shows God`s figure bent while in the work of creation. “There is no close iconographic antecedent for this image.” In this image God is utilizing a huge pair of compasses, which are carefully balanced so as to draw and define. God’s left hand seems to be in the process of putting the disk that is the cosmos into motion.