Search results
Results From The WOW.Com Content Network
Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements.
There are a few well-known examples of chain rhyme in world literature. In the Persian language, chain rhyme is almost exclusively devoted to the poetic form of the Rubaiyat: a poem that makes use of quatrains with the rhyme scheme AABA. Though not necessarily chain rhyme, the Rubiyat form has been mimicked throughout the world.
Enclosed rhyme (or enclosing rhyme) is the rhyme scheme ABBA (that is, where the first and fourth lines, and the second and third lines rhyme). Enclosed-rhyme quatrains are used in introverted quatrains , as in the first two stanzas of Petrarchan sonnets .
Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes, for example AABBCC, ABABCC, AABCCB or AAABAB. [1]
Rhyming couplets are one of the simplest rhyme schemes in poetry. Because the rhyme comes so quickly, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines. Here are some examples of rhyming couplets where the sense as well as the sound "rhymes":
English rhyme schemes remained unknown until the early 19th century, when Lord Byron's poems gained enormous popularity. In Poland the Spenserian stanza was used by Juliusz Słowacki and Jan Kasprowicz. [5] In Czech literature Jaroslav Vrchlický wrote some poems in the Spenserian stanza, among others Stvoření světa (The Creation of the World):
The triolet is a close cousin of the rondeau, the rondel, and the rondelet, other French verse forms emphasizing repetition and rhyme. The form stems from medieval French poetry and seems to have had its origin in Picardy. [2] The earliest written examples are from the late 13th century.