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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
The first (of 10 lines) is written in normal alliterative metre, while the second (6 lines) includes internal rhyme in each line. First published in a poetry collection called A Northern Venture (1923). An unfinished Old English poem based on the Atlakviða (68 lines in two separate sections), published in The Legend of Sigurd and Gudrun.
Poe, however, claimed the poem was a combination of octameter acatalectic, heptameter catalectic, and tetrameter catalectic. [15] The rhyme scheme is ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme. In every stanza, the "B" lines rhyme with the word "nevermore" and are catalectic, placing extra emphasis on the final syllable.
Consonance is an element of half-rhyme poetic format, sometimes called "slant rhyme". It is common in hip-hop music, as for example in the song Zealots by the Fugees: "Rap rejects my tape deck, ejects projectile/Whether Jew or gentile I rank top percentile." (This is also an example of internal rhyme.)
The most powerful love poems, I think, address the fact that we are here now and one day won’t be. Keats’s “Ode on Melancholy” is an exquisite example. Keats knew immense suffering in his ...
The poem is composed of two quatrains and, with an exception of the first line, the rhythm alternates between iambic tetrameter and iambic trimeter. The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes.
Gardens and poems remind us how to admire, steward and participate in our own lives and in the life of the planet, even a planet it seems we’ve irrevocably damaged.