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Anaphora serves the purpose of delivering an artistic effect to a passage. It is also used to appeal to the emotions of the audience in order to persuade, inspire, motivate and encourage them. [3] In Dr. Martin Luther King Jr.'s famous "I Have a Dream" speech, he uses anaphora by repeating "I have a dream" eight times throughout the speech. [4]
Prior to this event, the technique had been published in an issue of 391 in the poem by Tzara, dada manifesto on feeble love and bitter love under the sub-title, TO MAKE A DADAIST POEM. [5] [1] In the 1950s, painter and writer Brion Gysin more fully developed the cut-up method after accidentally rediscovering it.
In linguistics, anaphora (/ ə ˈ n æ f ər ə /) is the use of an expression whose interpretation depends upon another expression in context (its antecedent).In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression.
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. [4]
From The Second Coming (poem) by William Butler Yeats. Refers to Yeats' belief that each human mind is linked to a single vast intelligence, and that this intelligence causes certain universal symbols to appear in individual minds. The idea is similar to Carl Jung's concept of the collective unconscious. spiritus ubi vult spirat
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
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The poem is composed of two quatrains and, with an exception of the first line, the rhythm alternates between iambic tetrameter and iambic trimeter. The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes.