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In classical theory (in contrast to jazz theory), this symmetrical scale is commonly called the octatonic scale (or the octatonic collection), although there are a total of 43 enharmonically inequivalent, transpositionally inequivalent eight-note sets.
A 5-note scale has 10 of these harmonic intervals, a 6-note scale has 15, a 7-note scale has 21, an 8-note scale has 28. [8] Though the scale is not a chord, ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other.
Bebop scales add a single chromatic passing tone to the seven-note major scale (Ionian and Mixolydian modes). The added passing tone creates an eight-note scale that fits rhythmically evenly within a 4 4 measure of 8 eighth notes, thus making it useful in practicing.
After the reciting tone, every mode is distinguished by scale degrees called "mediant" and "participant". The mediant is named from its position between the final and reciting tone. In the authentic modes it is the third of the scale, unless that note should happen to be B, in which case C substitutes for it.
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Further octaves of a note occur at times the frequency of that note (where n is an integer), such as 2, 4, 8, 16, etc. and the reciprocal of that series. For example, 55 Hz and 440 Hz are one and two octaves away from 110 Hz because they are + 1 ⁄ 2 (or 2 − 1 {\displaystyle 2^{-1}} ) and 4 (or 2 2 {\displaystyle 2^{2}} ) times the frequency ...