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For Kant, beauty is not a property of any object, but an aesthetic judgement based on a subjective feeling. In aesthetics, the concept of taste has been the interest of philosophers such as Plato, Hume, and Kant. It is defined by the ability to make valid judgments about an object's aesthetic value.
Because they lack the superior education (cultural knowledge) needed to describe, appreciate, and enjoy the aesthetics of a work of art, 'working-class people expect objects to fulfil a function' as practical entertainment and mental diversion, whilst middle-class and upper-class people passively enjoy an objet d'art as a work of art, by way of ...
The sociology of art is a subfield of sociology that explores the societal dimensions of art and aesthetics. [ 1 ] Scholars who have written on the sociology of art include Pierre Bourdieu , Vera Zolberg, Howard S. Becker , Arnold Hauser , and Harrison White .
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Aesthetic emotions are emotions that are felt during aesthetic activity or appreciation. These emotions may be of the everyday variety (such as fear, wonder or sympathy) or may be specific to aesthetic contexts. Examples of the latter include the sublime, the beautiful, and the kitsch. In each of these respects, the emotion usually constitutes ...
In line with the "feelings-as-information" account, [3] processing fluency feeds into judgments of aesthetic appreciation because people draw on their subjective experience in making evaluative judgments, unless the informational value of the experience is called into question. The impact of fluency is moderated by expectations and attribution ...
Aesthetic criticism is a part of aesthetics concerned with critically judging beauty and ugliness, tastefulness and tastelessness, style and fashion, meaning and quality of design—and issues of human sentiment and affect (the evoking of pleasure and pain, likes and dislikes). Most parts of human life have an aesthetic dimension, which means ...
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist , or dialectical materialist , approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth.