Search results
Results From The WOW.Com Content Network
Plato, whose influence on architecture is widely documented (e.g., 'idealism', 'neo-Platonic' architecture [1]), may be counted as part of a classical geometric model of cosmology, the popularity of which could be attributed to earlier thinkers such as Pythagoras. In early history, philosophers distinguished architecture ('technion') from ...
Le Corbusier's Five Points of Architecture is an architecture manifesto conceived by architect Le Corbusier. [1] It outlines five key principles of design that he considered to be the foundations of the modern architectural discipline, which would be expressed through much of his designs.
An architectural style is a classification of buildings (and nonbuilding structures) based on a set of characteristics and features, including overall appearance, ...
Frederick C. Robie House, an example of Prairie School architecture. An architectural style is characterized by the features that make a building or other structure notable and historically identifiable. A style may include such elements as form, method of construction, building materials, and regional character.
Architectural discourse from the illustrated French Dictionary of Architecture (1856) by Eugène Viollet-le-Duc. Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects.
The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. [1]
In a 'principles' approach to design theory, the De Stijl movement (founded in 1917) promoted a geometrical abstract, "ascetic" form of purism that was limited to functionality. This modernist attitude underpinned the Bauhaus movement (1919 onwards). Principles were drawn up for design that were applicable to all areas of modern aesthetics.
No longer was the architectural form considered timeless - or merely a whim of an architects imagination: the new approach allowed to classify architecture of each age as an equally valid set of forms, "style" (the use of the word in this sense became established by the mid-18th century).