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The gowns were frequently made out of fabrics such as printed cotton, silk damask, or velvet and were mainly worn by upper class men. [2] By the mid-19th century, dressing gowns were used equally by both men and women as at-home wear. This gave men the opportunity to add color to their somber everyday wardrobe. For women, wearing a dressing ...
The nightgown was a "version of a modern dressing gown" and tended to be worn around the house or to occasions when formal attire was not necessary. This garment was actually a Banyan, a T-shirt shaped robe adopted by the British from India but became known as a "nightgown", dressing gown or "morning gown" in the early 1700s due to its casual ...
The shawl collar is borrowed from its use on men's evening wear on the dinner jacket and smoking jacket, and is common on traditional dressing gowns. Kimono collar: Similar to the collar found on the kimono, a traditional Japanese garment, the collar forms a thin strip of consistent width, wrapping around the front in a Y-shaped manner.
Also called a morning gown, robe de chambre or nightgown, the banyan was a loose, T-shaped gown or kimono-like garment, made of cotton, linen, or silk and worn at home as a sort of dressing gown or informal coat over the shirt and breeches. The typical banyan was cut en chemise, with the sleeves and body cut as one piece.
As in the previous period, a loose, T-shaped silk, cotton or linen gown called a banyan was worn at home as a sort of dressing gown over the shirt, waistcoat, and breeches. Men of an intellectual or philosophical bent were painted wearing banyans, with their own hair or a soft cap rather than a wig. [16]
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
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