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"Tab Composer CPC" was implemented in Locomotive BASIC 1.0. It offered a multi-page graphical WYSIWYG, 3-channel polyphonic playback and volume and tone envelope functionality, as well as save and load. BASIC programs could be generated for direct playback without the program as well, facilitating easy integration of the created musical content ...
The House of Love's second album (also untitled, but generally known as either House of Love, the Butterfly album, or simply Fontana) was released in January 1990; [7] it reached the top ten in the UK Albums Chart and peaked at N°148 in the Billboard Top 200, staying in the US chart for 8 weeks. [10] It sold worldwide over 400,000 copies. [5] "
The album was recorded following the departure of founder member Andrea Heukamp, who had played on the band's early singles. [6] Her only appearance on the album was playing guitar and singing backing vocals on the song "Christine" (the first song which group leader Guy Chadwick had written for The House of Love and had inspired the blueprint for the band's original lineup and style).
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added ...
Following the departure of Bickers, the House of Love eventually split in 1993, and Chadwick re-appeared as a solo artist in 1997, and then released the album Lazy Soft and Slow in 1998. [6] The House of Love reunited in 2003. They went on to tour throughout the UK. Ireland and Sweden, and released an album, Days Run Away, in 2005. The band's ...
The House of Love would eventually generate four singles. The first of these was "Never" (issued against the band's wishes) [11] which stalled at number 41 on the UK Singles Chart on release in 1989, as did the November follow-up "I Don't Know Why I Love You" [12] (although the latter would achieve greater success as a Radio 1 Single of the Week [10] and in reaching number 2 on the Modern Rock ...