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Stereoscopy creates the impression of three-dimensional depth from a pair of two-dimensional images. [5] Human vision, including the perception of depth, is a complex process, which only begins with the acquisition of visual information taken in through the eyes; much processing ensues within the brain, as it strives to make sense of the raw information.
Furthermore, it offers stereo-like depth to people with limited or no vision in one eye. Disadvantages of wiggle stereoscopy are that it does not provide true binocular depth perception ; it is not suitable for print media, being limited to displays that can alternate between the two images, and it is difficult to appreciate details in images ...
A stereo transparency viewer is a type of stereoscope that offers similar advantages, e.g. the View-Master. Disadvantages of stereo cards, slides or any other hard copy or print are that the two images are likely to receive differing wear, scratches and other decay. This results in stereo artifacts when the images are viewed.
SOCET SET, like all high-end photogrammetry applications, requires a stereo display to be used to its fullest potential. Although SOCET SET can run and generate all its products on a computer with only a conventional display, a typical user will require a stereo display to view the digital data overlaid on the imagery.
Video games with stereoscopic 3D graphics (5 C, 86 P) Pages in category "Stereoscopy" ... Video-oculography; View-Master factory supply well; W. Warsaw Fotoplastikon; Z.
3D video coding is one of the processing stages required to manifest stereoscopic content into a home. There are three techniques which are used to achieve stereoscopic video: [1] Color shifting ; Pixel subsampling (side-by-side, checkerboard, quincunx) Enhanced video stream coding (2D+Delta, 2D+Metadata, 2D plus depth)
1. 3D film. A 3D or 3-D (three-dimensional) film or S3D (stereoscopic 3D) film [5] is a motion picture that enhances the depth cues seen by the viewer. The most common approach to the production of 3D films is derived from stereoscopic photography.
The Stereo Realist, which defined a new stereo format. The middle lens is for view-finding. Sputnik stereo camera (Soviet Union, 1960s). Although there are three lenses present, only the lower two are used for the photograph – the third lens serves as a viewfinder for composition. The Sputnik produces two side-by-side square images on 120 film.