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Almas Gemelas (transl. Soulmates) is a studio album by Mexican duranguense band El Trono de México. It was released on 8 November 2008, through Fonovisa Records . It peaked atop the US Regional Mexican Albums chart, and was the chart's best-selling album of 2009.
The hits "L'appuntamento" ("The Date"), "Sentado à beira do caminho" and "Nuestro encuentro" ("Our Encounter") have the same music and similar lyrics in Italian, Portuguese and Spanish language. There is an important difference when translated from Portuguese to the Italian language, the idea of "mixing tears with raindrops" was replaced with ...
A few months after recording the musical work was released, especially the song "Diante do Trono". With the positive impact of the song, the group, which until then had no official name, became known Diante do Trono. Besides this, other songs of the set were also very popular on the radio, especially "Aclame ao Senhor", "Deus de Amor" and ...
An enamel plaque on the processional Cross of Mathilde, showing an image of the donor together with Mary, Seat of Wisdom. This type of Madonna image is based on the Byzantine prototype of the Chora tou Achoretou ("Container of the Uncontainable"), [5] an epithet mentioned in the Acathist Hymn and present in the Greek East by the early 11th century, when the Byzantine-inspired enamels were made ...
The album Imersão 3 was also recorded live, with the participation of Ana Nóbrega, André Valadão, Israel Salazar, Mariana Valadão, Marine Friesen and Nívea Soares, [126] and the Musical 20 Anos Diante do Trono, with the participation of the choir El-Shammah, conducted by Robinho, from Lagoinha Church. Both musical projects have not yet ...
Al-Suyuti narrates that a man from humanity and a man from the jinn met. Whereupon, as means of reward for defeating the jinn in a wrestling match, the jinn teaches a Quranic verses that if recited, no devil (šayṭān) will enter the man's house with him, which is the "Throne Verse".
The Ludovisi Throne is an exceptional ancient sculpture from Locri, Southern Italy. [1] Not an actual throne, the sculpture is white marble block intricately carved with bas-reliefs on its three visible sides, with its primary depiction considered by many as depicting Aphrodite rising from the sea.
The exclusion of women from the succession was subsequently said to be based on the 5th century Salic law.It is now believed that it was not until much later that the justification of Salic law was deployed: it is thought to have been a theory put forward by the Valois kings' lawyers to fortify their masters' title with an additional aura of authenticity. [6]