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Diverse translations (usually to English) of a short poem in Renaissance French, Clément Marot's A une Damoyselle malade (referred to as ‘Ma mignonne’ by Hofstadter), serve as reference points for his ideas on the subject. [1] Groups of translations alternate with analysis and commentary on the same throughout the book.
" Plaisir d'amour" ([plɛ.ziʁ da.muʁ], "Pleasure of love") is a classical French love song written in 1784 by Jean-Paul-Égide Martini (1741–1816); it took its text from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine. The song was greatly successful in Martini's version.
The Lais of Marie de France: a verse translation trans. by Judith P. Shoaf (Gainesville, FL: University of Floria, 1991–96) The Lays of Marie de France, trans. by David R. Slavitt (Edmonton: AU Press, 2013) ISBN 9781927356357; French Mediaeval Romances from the Lays of Marie de France by Marie de France at Project Gutenberg
An earlier example of homophonic translation (in this case French-to-English) is "Frayer Jerker" (Frère Jacques) in Anguish Languish (1956). [5] A later book in the English-to-French genre is N'Heures Souris Rames (Nursery Rhymes), published in 1980 by Ormonde de Kay. [6]
The body of La Belle Dame sans Mercy is composed of 100 stanzas of alternating dialogue between a male lover and the lady he loves (referred to in the French as l'Amant et la Dame). Their dialogue is framed by the observations of the narrator-poet who is mourning the recent death of his lady.
Le Roman de la Rose (The Romance of the Rose) is a medieval poem written in Old French and presented as an allegorical dream vision.As poetry, The Romance of the Rose is a notable instance of courtly literature, purporting to provide a "mirror of love" in which the whole art of romantic love is disclosed.
Plaque commemorating the site where the poem was written. Il n’y a pas d’amour heureux (transl. There Is no Happy Love) is a poem written by Louis Aragon in January 1943, and published in La Diane Française in 1944. The poem reflects on the inherent contradiction between love and the pain that it inevitably brings to those who experience it.
Like other lais, prominence is given to the analysis of the characters' emotions and to the contrast between the ideals of love and the needs of reality. [7] It has been speculated [by whom?] that Marie arranged her poems as they appear in MS H in order to pair a short, tragic poem with a longer one on the power of love and the importance of ...