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The Codex Escalada. Codex Escalada (or Codex 1548) is a sheet of parchment signed with a date of "1548", on which there have been drawn, in ink and in the European style, images (with supporting Nahuatl text) depicting the Marian apparition of Our Lady of Guadalupe to Juan Diego which allegedly occurred on four separate occasions in December 1531 on the hill of Tepeyac north of central Mexico ...
Our Lady of Guadalupe (Spanish: Nuestra Señora de Guadalupe), also known as the Virgin of Guadalupe (Spanish: Virgen de Guadalupe), is a Catholic title of the Blessed Virgin Mary associated with four Marian apparitions to Juan Diego and one to his uncle, Juan Bernardino reported in December 1531, when the Mexican territories were part of the ...
Image of the Virgin Mary Mother of God of Guadalupe (Spanish: Imagen de la Virgen María, madre de Dios de Guadalupe) published in 1648, was the first written account of the story of Our Lady of Guadalupe. It retells the events of the 1531 apparitions that led to the Marian veneration in Mexico City, New Spain.
Español: Estandarte de la Virgen de Guadalupe supuestamente adoptado por Miguel Hidalgo y Costilla como bandera de su movimiento. Fue recogido en el Pueblo de Atotonilco el 16 de Septiembre de 1810 y capturado por las tropas realistas después de la Batalla de Aculco el 7 de Noviembre de 1810.
Margarita “Mita” Cuaron’s most famous pieces of Our Lady of Guadalupe are Virgen de la Sandía (1996) and Virgen de Guadalupe Baby (1992). Virgen de Guadalupe Baby (1992) depicts La Virgen de Guadalupe as a baby surrounded by the womb, which is shaped by white, fluffy clouds and is surrounded by La Virgen’s typical yellow, sunlight rays ...
The screen print, Virgen de la Sandía (1996) was created again in 1997 by using an alternative art medium of watercolor paint. [12] [13] Margarita “Mita” Cuaron’s new version of the piece, Virgen de la Sandía (1997) depicts Our Lady of Guadalupe fully clothed in a pink gown covered by her recognizable green mantle with golden sun rays ...
Yolanda Margarita López was born on November 1, 1942, in San Diego, California, [4] to Margaret Franco and Mortimer López. [2] She was a third-generation Chicana. [5] [6] Her grandparents migrated from Mexico to the United States, crossing the Río Bravo river in a boat while avoiding gunfire from the Texas Rangers. [7]
In the image, below the mandala of the virgen there is a nude butterfly angel that depicts Raquel Gutierrez. [13] The roses allude to the Virgin of Guadalupe's origin myth, though her posture and eye contact defies the traditional version of the Virgin. Her cloak is covered in images of Coyolxauhqui, the Aztec moon goddess.