Search results
Results From The WOW.Com Content Network
1950s: By 1950, 15 colleges and universities offered curricular jazz courses; During the 1950s, the number of colleges and universities offering curricular jazz increased to 30. 1952: The Institute of Jazz Studies was founded by Marshall Stearns. It is the largest and most comprehensive library and archive of jazz and jazz-related materials in ...
The free jazz movement, coming to prominence in the late 1950s, spawned very few standards. Free jazz's unorthodox structures and performance techniques are not as amenable to transcription as other jazz styles. However, "Lonely Woman" (1959) a blues by saxophonist Ornette Coleman, is perhaps the closest thing to a standard in free jazz, having ...
Following the album's release, the quartet was featured on the cover of Time magazine, with the accompanying article describing Brubeck as "the most exciting new jazz artist at work today". [7] Jazz Goes to College enjoyed widespread popularity among college students in the 1950s and early 1960s. [8]
By 1950, there were over 30 colleges and universities offering jazz courses. [17] Along with this growth at universities came a number of summer programs that served to educate young musicians about jazz. Stan Kenton is particularly famous for starting one such summer program.
This is a list of notable jazz institutions and organizations ... Berklee College of Music, Boston, Massachusetts; Black Artists Group, St. Louis, Missouri; I
A number of scholarships were available. In late 1957 Herman Lubinsky, head of Savoy Records in Newark, NJ, established a scholarship for full tuition, room and board, and private lesson fees to a promising instrumental student for attendance at the School of Jazz during its second annual session on the grounds of Music Inn, Lenox, Massachusetts, during August, 1958.
There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as ...
The Incredible Jazz Guitar; Movin' Along; Oliver Nelson: Taking Care of Business; David Newman & James Clay: The Sound of the Wide Open Spaces!!!! Art Pepper: Gettin' Together; Max Roach: We Insist! Charlie Rouse: Takin' Care of Business; George Russell. George Russell Sextet at the Five Spot; Jazz in the Space Age; Stratusphunk