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A fat, and perhaps fattened, dog from Colima [27] Colima ceramics can be identified by their smooth, round forms and their warm brown-red slip. [28] Colima is particularly known for its wide range of animal, especially dog, figurines. Human subjects within the Colima style are more "mannered and less exuberant" than other shaft tomb figurines. [29]
Capacha ceramic originality is based on two specific types: [14] Large ceramic vessels, shaped as two globular stacked vases, one over the other. Named Bule. [15] Ceramics that consists of two superimposed globular vessels, interconnected by two or three tubes. This ceramic shape resembles the South American “stirrup” handle ceramic tradition.
In the Central Mexican area, there were three breeds: the medium-sized furred dog , the medium-sized hairless dog (xoloitzcuintli), and the short-legged, based in Colima and now extinct. Apart from other, more obvious functions, dogs were also used for food (10% of all consumed meat in Teotihuacan ) and ritual sacrifice .
The period was famous for exquisitely carved ivories, but discoveries of clay and bronze figurines of dogs tell us something about the roles of dogs who lived 2,500-plus years ago.
A sizable portion of LACMA's pre-Columbian collection was excavated from burial chambers in Colima, Nayarit and other regions around Jalisco in modern-day Mexico. [65] LACMA boasts one of the largest collections of Latin American art due to the generous donation of more than 2,000 works of art by Bernard Lewin and his wife Edith Lewin in 1996 ...
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These dogs were considered a great delicacy, and were consumed for sacrificial ceremonies – including marriages and funerals. [4] In many versions of the 20-day cycle of the Mesoamerican calendar, the tenth day bears the name dog. [5] This is itzcuintli in Nahuatl, the language of the Aztecs, tz'i' in the Kʼicheʼ Maya language and oc in ...