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Blues subgenres include country blues, Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners.
Blues standards come from different eras and styles, including ragtime-vaudeville, Delta blues, country blues, and urban blues from Chicago and the West Coast. [3] Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted:
Chicago blues is a form of blues music that developed in Chicago, Illinois.It is based on earlier blues idioms, such as Delta blues, but is performed in an urban style.It developed alongside the Great Migration of African Americans of the first half of the twentieth century.
Blues later adopted elements from the "Ethiopian (here, meaning "black") airs" of minstrel shows and Negro spirituals, including instrumental and harmonic accompaniment. [22] The style also was closely related to ragtime, which developed at about the same time, though the blues better preserved "the original melodic patterns of African music". [23]
Many Delta blues artists, such as Big Joe Williams, moved to Detroit and Chicago, creating a pop-influenced city blues style. This was displaced by the new Chicago blues sound in the early 1950s, pioneered by Delta bluesmen Muddy Waters , Howlin' Wolf , and Little Walter , that was harking back to a Delta-influenced sound, but with amplified ...
The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues, Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues.
Louis Jordan is a famous jump blues musician. Boogie-woogie is still to be heard in clubs and on records throughout Europe and North America. Big Joe Duskin displayed on his 1979 album, Cincinnati Stomp, a command of piano blues and boogie-woogie, which he had absorbed at first hand in the 1940s from Albert Ammons and Pete Johnson. [27]
The style of music heard on race records was later called "rhythm and blues" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these being the 12-bar blues. [2]