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All the pieces have a duration of about one or two minutes. Out of all 11 pieces, only three are based on folk tunes: numbers three, six and eight. The rest of the pieces were created in their entirety by Bartók, who used to make a great number of short pieces for piano using folk-like structures and melodies.
This is a list of Christian worship music artists or bands. This list includes notable artists or bands that have recorded or been known to perform contemporary worship music at some point in their careers. This includes worship leaders, Christian songwriters, and contemporary Christian music artists. It is not a list of contemporary Christian ...
City on a Hill: Songs of Worship and Praise (released in 2000) is the first in the City on a Hill series of compilation albums by popular Contemporary Christian Music musicians. It received the Gospel Music Association 's Special Event Album of the Year award for 2001.
A few recordings and piano rolls of Grieg himself performing also exist, and they have been published by the Norwegian record label Simax. Four of the six pieces from Book V, Op. 54, were orchestrated under the title of Lyric Suite. Both Grieg and Anton Seidl had a hand in the orchestrations. Grieg also orchestrated two of the pieces from Book ...
Three Easy Pieces, also referred to by its original French title Trois pièces faciles, is a collection of pieces for four hands by Russian composer Igor Stravinsky. It was finished in 1915 and was published as a set in the winter of 1917.
"Peace Piece" is a jazz piece recorded by Bill Evans in December 1958 for his album Everybody Digs Bill Evans.It is a pastoral improvisation done at the end of the recording session and is one of his simplest, built on a gentle Cmaj7 to G9sus4 two-chord progression that Evans had used earlier during the session for his version of "Some Other Time" from Leonard Bernstein's musical On the Town.
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
The waltz was conceived as both an orchestra and a piano work. Three versions, orchestral , piano duet (S.599/2) and piano solo, (S.514), all date more or less from the same period (1859–62). The piano duet version is a straightforward transcription of the orchestral version, while the solo piano version is an independent composition.