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Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
Pages in category "Indian musical instruments" The following 147 pages are in this category, out of 147 total. This list may not reflect recent changes. *
This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments)
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
Instruments commonly part of the percussion section of a band or orchestra. These three groups overlap heavily, but inclusion in any one is sufficient for an instrument to be included in this list. However, when only a specific subtype of the instrument qualifies as a percussion instrument, only that subtype is listed here.
Toggle Stringed instruments with keyboards subsection. 5.1 Struck. 5.2 Plucked. 5.3 Bowed. 5.4 Other/hybrid. 6 Stringed instruments by country. 7 See also. 8 References.
The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to ...
The Indian harmonium is derived from reed organ designs developed in France. Originally, these were large instruments, designed to be played sitting on a chair, which allowed one to pump the instrument using foot pedals. [4] Over time, Europeans designed smaller harmoniums, like the guide-chant, which included manually pumped bellows. [5]