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In 1937, Gil began painting calendar pin-ups for Louis F. Dow, one of America's leading publishing companies, during which time he created about 60 works on 28 × 22 in canvas and distinguished them with a printed signature. Many of his pin-ups were reproduced as nose art on military aircraft during World War II. Circa 1944, Elvgren was ...
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Reid Stewart Austin (The Best of Gil Elvgren) examined the life and art of George Petty in the 192-page Petty: The Classic Pin-Up Art of George Petty. Published by Gramercy in 1997, the lavish volume features a foreword by Hugh Hefner and an introductory essay by Petty's daughter, Marjorie Petty, who was his main model.
After two years at the Art Institute, Ballantyne joined Kling Studios, where she painted Rand McNally maps and illustrated books for Cameo Press. She then moved to the Stevens-Gross Studio, where she remained for more than a decade. While at the studio, she became part of a group of artists that included Gil Elvgren, Al Moore, and Al Buell.
Ekman studied at the American Academy of Art and the Art Institute of Chicago. He is best remembered for his pin-up and advertising work. Working with Gil Elvgren, he is thought to have penned several of the iconic images attributed to Elvgren. [4] By 1960, Ekman was making a transition from commercial illustration and pin-up art to portraiture.
Among the other well-known American artists specializing in the field were Earle K. Bergey, Enoch Bolles, Gil Elvgren, George Petty, Rolf Armstrong, Zoë Mozert, Duane Bryers, [13] and Art Frahm. Notable contemporary pin-up artists include Olivia De Berardinis, known for her pin-up art of Bettie Page and her pieces in Playboy.