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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Dream chord on G Play ⓘ.. The dream chord is a chord that is used prominently in the works of La Monte Young.It is made up of the pitches G-C-C♯-D. [2] [3] The chord is prominently featured in Young's compositions for Brass (1957), Trio for Strings (1958), and The Four Dreams of China (1962).
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Stutter Rap (No Sleep til Bedtime) T. Talking in Your Sleep (Crystal Gayle song)
NME stated, "Set to a backdrop highly reminiscent of the hallowed back-'em-up-shut-'em-down riffing of Phase 1 Kinks .. the main squeeze is that The Kinks are making good records again." [ 2 ] Melody Maker ' s opinion of the song was mixed, stating "Kinks fans/lovers of 'Waterloo Sunset' won't find 'Sleepwalker' very satisfactory.
"Sleep to Dream" is a song written and recorded by American alternative singer-songwriter Fiona Apple. It was released on February 25, 1997 by Work Records and Columbia Records as the second single from her debut studio album, Tidal .
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...