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By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. [4] Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.
Eugène Delacroix: The Babylonian Captivity, 1838/1847; Palais Bourbon, Paris The Babylonian Captivity is an 1838–1847 painting by Eugène Delacroix for the ceiling of the Assemblée nationale's library in the Palais Bourbon in Paris.
The Prisoner of Chillon (French: Le Prisonnier de Chillon) is an 1834 oil painting by the French artist Eugène Delacroix. [1] It depicts a scene from the 1816 poem of the same title by the British writer Lord Byron set in the sixteenth century. [2]
Ferdinand Victor Eugène Delacroix (/ ˈ d ɛ l ə k r w ɑː, ˌ d ɛ l ə ˈ k r w ɑː / DEL-ə-krwah, - KRWAH; [1] French: [øʒɛn dəlakʁwa]; 26 April 1798 – 13 August 1863) was a French Romantic artist who was regarded as the leader of the French Romantic school.
The Shipwreck of Don Juan is an 1840 oil painting by the French artist Eugène Delacroix. [1] It depicts a scene from Lord Byron epic poem Don Juan. [2] Don Juan and others are adrift in the Mediterranean in a ship's boat following a shipwreck.
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]
Pages in category "Paintings by Eugène Delacroix" The following 42 pages are in this category, out of 42 total. This list may not reflect recent changes. A.
The painting's luminosity and use of colour owes much to Delacroix's study of the Old Masters, such as Paolo Veronese. [1] The painting was exhibited in the Salon of 1841, where the painterly romanticism of its style was controversial; Le Constitutionnel deplored "the confused and strangled composition, the dull earthy colours and the lack of ...