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"Yo Te Amo" (transl. "I Love You" ) is a song by Puerto Rican singer Chayanne from his ninth studio album, Simplemente (2000). [ 1 ] The song was written and produced by Estéfano and released as the lead single from the album in 2000 by Sony Discos in the United States.
"Te Quiero Tanto, Tanto" (transl. "I Love You Very, Very Much") is a song written and produced by Memo Mendez-Guiu and performed by Mexican pop group OV7 from their album Entrega Total (1998). [1] It premiered as the main theme for the Mexican telenovela Mi pequeña traviesa. [2]
Simplemente (English: Simply) is the tenth studio album recorded by Puerto Rican-American recording artist Chayanne.The album witch released by Sony Discos on October 3, 2000 (see 2000 in music).
In this album Chayanne featured three new songs, "Y Tú Te Vas", Torero, and "Quisiera Ser" (as well as remixes of the songs "Salomé" and "Baila Baila", and a re-recorded version of "Fiesta En América"). The album peaked at #1 on Billboard's Hot Latin Albums, becoming his first album to reach #1 in that category, and #199 on the Billboard 200.
Lew Brown and Charles Tobias (lyrics) 1939 "Came Here To Talk For Joe" Lew Brown, Charlie Tobias, Sam H. Stept, 1942 ... Holiday In Mexico (song, "Yo Te Amo Mucho ...
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
Atado a Tu Amor (English: Tied to Your Love) is the ninth studio album by recorded Puerto Rican-American recording artist Chayanne.This album was released by Sony Discos on September 29, 1998 (see 1998 in music).
Ven Conmigo scrapped the conventional styles and track organization of the typical Tejano album of "a two-sided single sandwiched between a bunch of polkas and oldie-but-goodie [songs]". [15] On "Yo Te Amo", the band decided to go with a bridge–interlude format rather than a typical chord progression they had recycled; "[W]e were growing, we ...