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The seal-making device is also referred to as the seal matrix or die; the imprint it creates as the seal impression (or, more rarely, the sealing). [1] If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a dry seal ; in other cases ink or ...
A stamp seal and its impression. The impression rotated clockwise 90 degrees probably yields a version of the Tree of Life -(see Urartian art photos). The stamp seal (also impression seal ) is a common seal die , frequently carved from stone, known at least since the 6th millennium BC ( Halaf culture [ 1 ] ) and probably earlier.
Sphragis (Latin, from Greek σφραγίς 'sphragis' a seal or 'signet') is a modern term in literary theory and classical philology used to describe a literary device employed mainly in the classical world, in which an author names or otherwise identifies himself, most often at the beginning or the end of a poem or collection of poems. [1]
Özgüç, Nimet. "Seal Impressions from the Palaces at Acemhöyük." In Ancient Art in Seals, edited by Edith Porada, 61-80. Princeton: Princeton University Press, 1980. Özgüç, Nimet. Kültepe-Kaniš/Neša: Seal Impressions on the Clay Envelopes from the Archives of the Native Peruwa and Assyrian Trader Uṣur-Ša-Ištar Son of Aššur-Imittī.
Earless seal, also called "true seal" Fur seal; Eared seal; Seal (emblem), a device to impress an emblem, used as a means of authentication, on paper, wax, clay or another medium (the impression is also called a seal) Seal (mechanical), a device which helps prevent leakage, contain pressure, or exclude contamination where two systems join
Ingam (인감, 印鑑) or sirin (실인, 實印), meaning registered seal, is a seal which has been registered by a local office, attested by a "certificate of seal registration", (Korean: 인감증명서; Hanja: 印鑑證明書; RR: ingam-jungmyeong-seo) a document required for most significant business transactions and civil services.
Instead of addressing the authority of the seal, a better study may be of the thematic nature of the seals, since they presented the ideas of the society in pictographic and text form. In a famous cylinder depicting Darius I of Persia : he is aiming his drawn bow at an upright enraged lion impaled by two arrows, while his chariot horse is ...
In 1961 the Seal became the focus of the new Department Exhibit Hall, where it resides today in a glass enclosure. The enclosure remains locked at all times, even during the sealing of a document. [14] [15] [18] The seal can only be affixed by an officer of the Department of State, under the authority of the secretary of state.