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Certain symbols within the Aboriginal modern art movement retain the same meaning across regions, although the meaning of the symbols may change within the context of a painting. When viewed in monochrome other symbols can look similar, such as the circles within circles, sometimes depicted on their own, sparsely, or in clustered groups.
In Australian Aboriginal art, a Dreaming is a totemistic design or artwork, which can be owned by a tribal group or individual. This usage of anthropologist W. E. H. Stanner 's term was popularised by Geoffrey Bardon in the context of the Papunya Tula artist collective he established in the 1970s.
Yawkyawk, Aboriginal shape-shifting mermaids who live in waterholes, freshwater springs, and rock pools, cause the weather and are related by blood or through marriage (or depending on the tradition, both) to the rainbow serpent Ngalyod. Yee-Na-Pah, an Arrernte thorny devil spirit girl who marries and echidna spirit man.
This practice only lasted a short time before these secret sacred symbols were hidden by artist like Clifford Possum behind veils of dots. [7] Most of the symbols people associate with aboriginal art from this region like concentric circles, U shapes and wavy lines all come from earlier designs on tjurunga.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa ...
Wandjina rock art on the Barnett River, Mount Elizabeth Station. The Wandjina, also written Wanjina and Wondjina and also known as Gulingi, are cloud and rain spirits from the Wanjina Wunggurr cultural bloc of Aboriginal Australians, depicted prominently in rock art in northwestern Australia.
Stone artefacts not only were used for a range of necessary activities such as hunting, but they also hold a special spiritual meaning. [34] Indigenous Australians describe a stone artefact as holding the spirit of an ancestor who once owned it. [34] 30,000-year-old grinding stones have been found at Cuddie Springs, NSW. [31]
It is known that the practice of Panaramitee Style rock art is still practised in modernity through a number of ethnographic examples. [6] [5] From at least 13,000 years ago Australian Aboriginal people were producing the Panaramitee Style petroglyphs, and have continued that tradition to this day. [citation needed]