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Angelica is a princess in the epic poem Orlando innamorato by Matteo Maria Boiardo. She reappears in the saga's continuation, Orlando furioso by Ludovico Ariosto , and in various later works based on the two original Orlando pieces. [ 1 ]
Panis angelicus: Text, translations and list of free scores by several composers at the Choral Public Domain Library (ChoralWiki) Archival sheet music for "Panis Angelicus", Oliver Ditson Company, 1901. Video on YouTube, Luciano Pavarotti, conducted by Franz-Paul Decker, 21 September 1978, Montreal; on YouTube by Louis Lambillotte
The Augustinus-Lexikon is a trilingual scholarly encyclopedia under the editorship of Cornelius Petrus Mayer, [1] [2] [3] [4] [5] Robert Dodaro, and others [6] that ...
Created Date: 8/30/2012 4:52:52 PM
Remembrance, another poem in the same sequence, is a poem about the loss of a loved one and was reprinted in a small sixteen-page volume of the same name in 1988 by the Souvenir Press with illustrations by Richard Allen (ISBN 0-285-62876-3) The following year, the Souvenir Press published another of the poems from the collection, My Flower Garden, again in a small sixteen-page volume with ...
Angelica, 1859, São Paulo Museum of Art. Ingres received the commission for the work in 1817 and completed it in 1819. [3] When it was exhibited at the Paris Salon of 1819 alongside his Grande Odalisque, the work was criticised for the treatment of Angelica's figure, described by the art historian Théophile Silvestre as "Angelica with goitres" and by the painter Henry de Waroquier as "triple ...
The Matter of France was one of the "Three Matters" repeatedly recalled in medieval literature, the others being the Matter of Britain, relating to the legends of Great Britain and Brittany, and the Matter of Rome which represented the medieval poets' interpretations of Ancient Greek and Roman mythology and history. [1]
Jean-Auguste-Dominique Ingres (/ ˈ æ ŋ ɡ r ə / ANG-grə; French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter.Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style.