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A convex mirror diagram showing the focus, focal length, centre of curvature, principal axis, etc. A convex mirror or diverging mirror is a curved mirror in which the reflective surface bulges towards the light source. [1] Convex mirrors reflect light outwards, therefore they are not used to focus light.
Comparison of reflections of a pen in an ordinary mirror (left) and two perpendicular mirrors forming the first type of non-reversing mirror (right). The latter also illustrates the visible line in the middle if measures are not taken to minimise it. A non-reversing mirror can be made by connecting two regular mirrors at their edges at a 90 ...
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
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Plane mirrors are the only type of mirror for which an object produces an image that is virtual, erect and of the same size as the object in all cases irrespective of the shape, size and distance from mirror of the object however same is possible for other types of mirror (concave and convex) but only for a specific conditions.
The climax of the 1947 Orson Welles film The Lady from Shanghai takes place in a maze of mirrors. In the finale of Enter the Dragon (1973), Bruce Lee's character navigates a mirror maze by breaking through the mirrors. Francisco Scaramanga's "Fun House" in the 1974 James Bond film The Man with the Golden Gun has a house of mirrors.