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Fokine's style of dance made great use of interpretive movement; he used ideas of expressiveness, naturalism, vitality, and stylistic consistency. [55] The choreographer employed many forms of dance in The Firebird. The titular Firebird danced classically, Koschei and his subjects in a more violent and grotesque manner, and the Princesses in a ...
All three movements include wild and rapid jumps which span over two octaves, complex polyrhythms, extremely fast scales, and tremolos. The third and largest movement is known for long, relentless trills in thirds, some even in the four fingers of the left hand while the thumb carries a separate melody.
Petrushka (French: Pétrouchka; Russian: Петрушка) is a ballet by Russian composer Igor Stravinsky.It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto.
The Firebird tales follow the classical scheme of fairy tale, with the feather serving as a premonition of a hard journey, with magical helpers met on the way who help in travel and capture of the Bird, and returning from the faraway land with the prize. There are many versions of the Firebird story as it was primarily told orally in the beginning.
The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
[8] He wrote of the 1997 performance, "Judy Tyrus made the Firebird a wild creature. Her every step seemed to strike sparks and as she whirled about, tearing at the air with her movements, one knew that this magic bird could easily peck or claw any sorcerer to death." [9]
The Firebird is a featured ... since it is a product of the late 19th-/early 20th-century Russian neo-national cultural movement which several of Diaghilev's early ...
The prime form of "Epitaphium"'s row is C ♯, A ♯, D ♯, E, C, B, F ♯, F, D, G, G ♯, A. [6] The first hexachord is closely related to the opening of The Firebird, [7] while the intervallic makeup of the entire series shows affinities with the row used by Boulez in Structures for two pianos and the one in Stravinsky's own Double Canon ...