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The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
The Rite of Spring is a one-act ballet created by Kenneth MacMillan in 1962 for the Royal Ballet, set to Igor Stravinsky's The Rite of Spring (1913). The conductor was Colin Davis, and the designs were by Sidney Nolan. The first performance was given at the Royal Opera House, Covent Garden on 3 May 1962.
While completing The Firebird during the spring of 1910, Stravinsky had a "vision" of a solemn pagan rite: sage elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of The Rite of Spring. [4]
Nijinsky's new trends in dance caused a riotous reaction at the Théâtre de Champs-Élysées when they premiered in Paris. In The Rite of Spring (Le Sacre du Printemps), with music by Igor Stravinsky (1913), Nijinsky created choreography that exceeded the limits of traditional ballet and propriety. The radically angular movements expressed the ...
In the fall of 1910, Diaghilev came to visit Stravinsky, who at that time was living in Lausanne, Switzerland, expecting to hear the beginning of The Rite of Spring, but instead was greeted with Petrushka. Diaghilev immediately recognized the possibilities of developing this orchestral work into a full length stage work.
Indifferently received by the public, Jeux was eclipsed two weeks later by the premiere of Igor Stravinsky's The Rite of Spring (Le Sacre du printemps), also choreographed by Nijinsky. Nijinsky eventually retired from dance and choreography, after he was diagnosed with schizophrenia in 1919.
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Among its productions, Giselle, [6] The Bull [7] and The Rite of Spring [8] were nominated for Olivier Awards. In 2014, he dissolved the company and re-emerged [tone] with Teaċ Daṁsa (teach damhsa, Irish for "house of dance", stylised with an overdot used in traditional Irish orthography) in 2016. [3]