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Garcia was born on the Acoma Pueblo in New Mexico, and is one of nine children born to Acoma potter and matriarch Lucy M. Lewis, who taught many of her children the traditional pottery-making process rooted in their ancient tradition, [3] including potters Anne Lewis Hansen, Mary Lewis Garcia, Emma Lewis Mitchell, Drew Lewis, and Carmel Lewis.
When Marie traveled to the Indian art shows or the Indian Market in Santa Fe, she often took her family with her. There they met people from around the world who loved to collect their pottery. This instilled a sense of pride and unity throughout the Chino family. Marie's descendants have carried on the tradition of making fine Acoma pottery.
The pottery is made of fine local clay found on the pueblo to create the distinctively thin-walled pottery. The pottery is made in white and black and polychrome colors. Designs are pressed into all-white pottery with a fingernail or tool. [17] Potters from Acoma Pueblo during the 1950s include Marie Z. Chino and Lucy M. Lewis.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component.
Pottery inside a house, c. 1900. Acoma pottery dates back more than 1,000 years. Dense local clay, dug up at a nearby site, is essential to Acoma pottery. The clay is dried and strengthened by the addition of pulverized pottery shards. The pieces then are shaped, painted, and fired.