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In Europe, in the 16th century, skirts began to have a layered appearance. Previous to the 16th century, skirts were slit only at the bottom, but now, the slit bisected the front of the skirt to reveal a contrasting layer underneath. Often, the underlayer would coordinate with a layered sleeve. [12]
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
The áo ngũ thân (five part dress) had two flaps sewn together in the back, two flaps sewn together in the front, and a "baby flap" hidden underneath the main front flap. The gown appeared to have two-flaps with slits on both sides, features preserved in the later áo dài.
Manchu men wore a type of changpao which reflected its equestrian origins, [3] which was originally designed for horseback riding, known as neitao, which was characterized by two pair of slits (one slit on each side, one slit on the back, and one slit on the front) which increased ease of movement when mounting and dismounting horses, a pianjin ...
Women's outerwear consists of a shirt with wide sleeves, wide trousers to the ankle and bell-shaped shirts of the same length. Women also wore a knitted shirt with long sleeves (arkhalig, kulaja) that fitted tightly across the back and chest, and had a wide slit at the front. A tight belt was worn around the waist.
The malak dress was popular amongst brides from the villages around Jerusalem. So much so that the panels began to be produced commercially in Bethlehem and Bayt Jalla. Amongst the wealthier families it was the fashion for the groom to pay for the wedding dress so the work often became a display of status. [50] [51]