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The primaries cyan, magenta and yellow combine pairwise to produce subtractive secondaries red, green, and blue. Combining all three primaries (center) absorbs all light and produces black. In practical CMY color models, the center is usually dark gray and a separate black pigment is required to produce black (CMYK model).
In this traditional scheme, a complementary color pair contains one primary color (yellow, blue or red) and a secondary color (green, purple or orange). The complement of any primary color can be made by combining the two other primary colors. For example, to achieve the complement of yellow (a primary color) one could combine red and blue.
A dye filters out all colors but its own; two blended dyes filter out all colors but the common color component between them, e.g. green as the common component between yellow and cyan, red as the common component between magenta and yellow, and blue-violet as the common component between magenta and cyan.
Color theory asserts three pure primary colors that can be used to mix all possible colors. These are sometimes considered as red, yellow and blue or as red, green and blue . [citation needed] Ostensibly, any failure of specific paints or inks to match this ideal performance is due to the impurity or imperfection of the colorants.
Magenta is variously defined as a purplish-red, reddish-purple, or a mauvish–crimson color. On color wheels of the RGB and CMY color models, it is located midway between red and blue, opposite green. Complements of magenta are evoked by light having a spectrum dominated by energy with a wavelength of roughly 500–530 nm.
Primary colors of the RYB color model: red, yellow, and blue, mixed to form colors orange, green, and purple. Under the modern definition (as even combinations of a primary and a secondary color), tertiary colors are typically named by combining the names of the adjacent primary and secondary color.
The color scheme of François d'Aguilon, where the two simple colors of white (albus) and black (niger) are mixed to the "noble" colors of yellow (flavus), red (rubeus), and blue (caeruleus). Orange (aureus), purple (purpureus), and green (viridis) are each combinations of two noble colors.
The colors that define the extremes for each opponent channel are called unique hues, as opposed to composite (mixed) hues. Ewald Hering first defined the unique hues as red, green, blue, and yellow, and based them on the concept that these colors could not be simultaneously perceived. For example, a color cannot appear both red and green. [2]