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Duet is a 1994 Indian Tamil-language romantic musical film written and directed by K. Balachander.The film stars Prabhu, Ramesh Aravind, Meenakshi Seshadri and marks the debut of Prakash Raj in Tamil cinema which he plays the antagonist.
SP Balasubrahmanyam became identified as Salman Khan's voice in the 90s just like Kishore Kumar became Rajesh Khanna's voice through the 70s. [ 7 ] [ 8 ] In 2013, Balasubrahmanyam recorded the title song for Chennai Express , singing for the lead actor Shah Rukh Khan , under the music direction of Vishal–Shekhar , breaking his 15-year hiatus ...
Song Title Music Director Co-Singers 1990 Ulagam Pirandhadhu Enakkaga "Adada Vayasupulla" R. D. Burman: S. P. Balasubrahmanyam: 1993 Uzhaipaali "Muthirai Ippodhu" Ilaiyaraja: S. P. Balasubrahmanyam 1994 Veera Padhakkam "Indha Maanai" Deva: Solo 1995 Ragasiya Police "Yen Yen" Laxmikant–Pyarelal: S. P. Balasubrahmanyam "Manmadhan" K. S. Chithra ...
S. P. Balasubrahmanyam (pronunciation ⓘ) was an Indian playback singer, actor, music director, voice actor and film producer. He is mostly referred to as S. P. B. or Balu. He has won the Guinness World Record for recording the highest number of songs.
S. P. Balasubrahmanyam was born in Konetammapeta in Nellore district of Andhra Pradesh into a Telugu Brahmin family. [21] [25] [26] His father, S. P. Sambamurthy, was a Harikatha artist who also acted in plays. [27] His mother was Sakunthalamma, who died on 4 February 2019. [28] He had two brothers and five sisters, including singer S. P. Sailaja.
The soundtrack for the 1982 Tamil-language film Payanangal Mudivathillai featured seven songs composed by Ilaiyaraaja, written by Vairamuthu, Gangai Amaran and Muthulingam and performed by S. P. Balasubrahmanyam and S. Janaki.
Pages in category "S. P. Balasubrahmanyam" The following 10 pages are in this category, out of 10 total. ... List of Hindi songs recorded by S. P. Balasubrahmanyam;
The idea of "breathless singing" eventually struck Vasanth; and Balasubrahmanyam agreed. [5] The song has Balasubrahmanyam singing two stanzas seemingly without taking a single breath in between the lines. [24] Vasanth initially proposed that the entire song be sung in one breath, but Ilaiyaraaja said to restrict that to specific stanzas.