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Portrait of Torquato Tasso, 1590s. Torquato Tasso (/ ˈ t æ s oʊ / TASS-oh, also US: / ˈ t ɑː s oʊ / TAH-soh, Italian: [torˈkwaːto ˈtasso]; 11 March 1544 – 25 April 1595) was an Italian poet of the 16th century, known for his 1591 poem Gerusalemme liberata (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end ...
Giovanni Mazzuoli. 1360 – 1426. Italian. Also known as Jovannes de Florentia, Giovanni degli Organi and Giovanni di Niccol. Pycard. fl. c. 1390-after c. 1410. English. Has works preserved in the first layer of the Old Hall Manuscript and elsewhere. His identity is unclear; probably English, but possibly from France.
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
See the names for all 16 songs on the tracklist here. "Renaissance" marks Beyoncé's seventh studio album and her first solo album in six years. See the names for all 16 songs on the tracklist here.
Composed. 1485. (1485) " Innsbruck, ich muss dich lassen " ("Innsbruck, I must leave thee") is a German Renaissance song. It was first published as a choral movement by the Franco-Flemish composer Heinrich Isaac (ca. 1450–1517); the melody was probably written by him. The lyricist is unknown; an authorship of Emperor Maximilian I, as was ...
Many of his songs still exist today. William Byrd was the chief organist and composer for Queen Elizabeth. Also during the 16th century were John Bull (1562–1628), best-known organist of the Elizabethan era, and John Dowland (1563–1626), leading composer of lute music. John Dowland published his first book of songs or "ayres" in 1597.
I Saw My Lady Weepe performed. "I Saw My Lady Weep" (the composer used the Early Modern spelling "weepe") is a lute song from The Second Book of Songs by Renaissance lutenist and composer John Dowland. [ 1] It is the first song in the Second Book and is dedicated to Anthony Holborne. [ 2] It is an example of Dowland's use of chromaticism .
Renaissance chansons. Renaissance Chansons is mainly for those European songs which were extensively developed by many composers or were used (e.g. as cantus firmus) for mass settings, in the period 1400-1600.