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  2. Ich weiß, daß mein Erlöser lebt, TWV 1:877 - Wikipedia

    en.wikipedia.org/wiki/Ich_weiß,_daß_mein...

    Ich weiß, daß mein Erlöser lebt (I know that my Redeemer lives), TWV 1:877, BWV 160, is a church cantata composed around 1725 by Georg Philipp Telemann for Easter Sunday, formerly attributed to Johann Sebastian Bach. [1]

  3. B. Cecil Gates - Wikipedia

    en.wikipedia.org/wiki/B._Cecil_Gates

    Among works by Gates are an arrangement of The Lord's Prayer, the Easter cantata "Resurrection Morning", "My Redeemer Lives", "How Long Oh Lord Most Holy and True" (words by his brother-in-law, John A. Widtsoe), "Hear My Prayer" and "The Festival Overture".

  4. I Know That My Redeemer Lives - Wikipedia

    en.wikipedia.org/wiki/I_Know_That_My_Redeemer_Lives

    Though the hymn is originally based on the Old Testament verse from the Book of Job, where Job proclaims "I Know That My Redeemer Lives" , [3] it is mostly used as a hymn for Easter Sunday commemorating the Resurrection of Jesus. [6] Medley was also inspired by Thomas the Apostle coming to believe after having seen Jesus after the Resurrection.

  5. Messiah Part III - Wikipedia

    en.wikipedia.org/wiki/Messiah_Part_III

    The aria for soprano "I know that my Redeemer liveth" draws from both Job and Paul. The words are "an expression of faith in redemption" and announce the Second Coming of Christ . [ 7 ] The aria begins with an ascending fourth , a signal observed by musicologist Rudolf Steglich as a unifying motif of the oratorio, [ 5 ] on the words "I know ...

  6. I know that my Redeemer liveth (disambiguation) - Wikipedia

    en.wikipedia.org/wiki/I_know_that_my_Redeemer...

    In German the phrase translates as "Ich weiß, daß mein Erlöser lebt" (and several spelling variants): "Ich weiß, daß mein Erlöser lebt", a German hymn, for instance included in the Neu Leipziger Gesangbuch

  7. High Noon (Mark Heard album) - Wikipedia

    en.wikipedia.org/wiki/High_Noon_(Mark_Heard_album)

    High Noon is a "best of" and rarities collection by Mark Heard, posthumously released in 1993, on Heard's own Fingerprint Records.. The album consists of primarily tracks from Heard's final three albums, 1990's Dry Bones Dance, 1991's Second Hand and 1993's Satellite Sky.