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Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.) The scale-degree chords of E-sharp minor are: Tonic – E-sharp minor
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
Harmonic series on G, partials 1–5 numbered Play ⓘ. The harmonic scale is a "super-just" musical scale allowing extended just intonation, beyond 5-limit to the 19th harmonic (Play ⓘ), and free modulation through the use of synthesizers. Transpositions and tuning tables are controlled by the left hand on the appropriate note on a one ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
The harmonic series is an arithmetic progression (f, 2f, 3f, 4f, 5f, ...). In terms of frequency (measured in cycles per second , or hertz , where f is the fundamental frequency), the difference between consecutive harmonics is therefore constant and equal to the fundamental.
Harmonic fragment scales form a rare exception to this issue. In tunings such as 1:1, 9:8, 5:4, 3:2, 7:4, 2:1 , all the pitches are chosen from the harmonic series (divided by powers of 2 to reduce them to the same octave), so all the intervals are related to each other by simple numeric ratios.
Enharmonic scale on C. [3] In music theory, an enharmonic scale is a very ancient Greek musical scale which contains four notes tuned to approximately quarter tone pitches, bracketed (as pairs) between four fixed pitches. [4] For example, in modern microtonal notation, one of the several enharmonic scales aligned with the conventional key of C ...
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.