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Interactive art and music allows researchers to question existing paradigms and models of how humans interact with technology and sound, going beyond paradigms of control (human controlling a machine). Users are part of a loop which includes action and perception. Interactive art and music projects invite explorative actions and playful engagement.
Sound installations sometimes use interactive art technology (computers, sensors, mechanical and kinetic devices, etc.), but they can also simply use sound sources placed at different points in space (such as speakers), or acoustic instrument materials such as piano strings played by a performer or by the public.
Liz Phillips (born 1951) is an American artist specializing in sound art and interactive art.A pioneer in the development of interactive sound sculpture, Phillips' installations explore the possibilities of electronic sound in relation to living forms.
Lozano-Hemmer in 2012. Lozano-Hemmer is best known for creating and presenting theatrical interactive installations in public spaces around the world. Using robotics, real-time computer graphics, film projections, positional sound, internet links, cell phone interfaces, video and ultrasonic sensors, LED screens and other devices, his installations seek to interrupt the increasingly homogenized ...
Five years after it sold for $120,000, Maurizio Cattelan’s conceptual banana artwork is expected to fetch a seven-figure sum at auction. This viral banana artwork is on sale again — and it ...
Interactive cassette player at the entrance of Generator gallery, 1989. Generator Sound Art was an experimental arts and culture organization based in New York City, co-owned by the sound artists Gen Ken Montgomery and Scott Konzelmann.