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In his thesis, he argued that the primary axis of conflict in the future will be along cultural lines. [16] As an extension, he posits that the concept of different civilizations , as the highest category of cultural identity , will become increasingly useful in analyzing the potential for conflict.
It seems that there are different viewpoints regarding cultural and social identities. Cultural identity is defined as the identity of a group or culture or of an individual as far as one is influenced by one's belonging to a group or culture. Further, Cultural identity is similar to, and overlaps with, identity politics. New forms of ...
Cultural identity can be expressed through certain styles of clothing or other aesthetic markers. Cultural identity is a part of a person's identity, or their self-conception and self-perception, and is related to nationality, ethnicity, religion, social class, generation, locality, gender, or any kind of social group that has its own distinct culture.
A positionality statement, also called reflexivity statement or identity statement, is a statement wherein a person (such as a researcher or teacher) reports and discusses their group identities, such as in a grant proposal or journal submission.
In 1985, Canadian historian William H. McNeill gave a series of three lectures on polyethnicity in ancient and modern cultures at the University of Toronto. [13] The main thesis throughout his lectures was the argument that it has been the cultural norm for societies to be composed of different ethnic groups.
The "thesis statement" comes from the concept of a thesis (θέσῐς, thésis) as it was articulated by Aristotle in Topica. Aristotle's definition of a thesis is "a conception which is contrary to accepted opinion." He also notes that this contrary view must come from an informed position; not every contrary view is a thesis. [3]
Cultural influence can be seen by the "receiving" culture as either a threat to or an enrichment of its cultural identity. It seems therefore useful to distinguish between cultural imperialism as an (active or passive) attitude of superiority, and the position of a culture or group that seeks to complement its own cultural production ...
A red telephone box is a British cultural icon. [3]According to the Canadian Journal of Communication, academic literature has described all of the following as "cultural icons": Shakespeare, Oprah, Batman, Anne of Green Gables, the Cowboy, the 1960s female pop singer, the horse, Las Vegas, the library, the Barbie doll, DNA, and the New York Yankees."