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The "Six principles of Chinese painting" were established by Xie He, a writer, art historian and critic in 5th century China, in "Six points to consider when judging a painting" (繪畫六法, Pinyin: Huìhuà Liùfǎ), taken from the preface to his book "The Record of the Classification of Old Painters" (古畫品錄; Pinyin: Gǔhuà Pǐnlù ...
The Vinegar Tasters (三酸圖; 'three sours'; 嘗醋翁; 'vinegar-tasting old men'; 嘗醋圖, 尝醋图) is a traditional [clarification needed] subject in Chinese painting, which later spread to other East Asian countries. The allegorical image represents three elderly men tasting vinegar. The identity of the three men varies.
The Foolish Old Man Removes the Mountains (Chinese: 愚公移山; pinyin: Yúgōng Yíshān) is a well-known fable from Chinese mythology about the virtues of perseverance and willpower. [1] The tale first appeared in Book 5 of the Liezi , a Daoist text of the 4th century BC, [ 2 ] and was retold in the Garden of Stories by the Confucian ...
The original intention of the group was to introduce modern art to the public. They believed there should be no restriction on the form or style of a modern Chinese painting, as long as the painting expressed meaning that was Chinese in nature. The group was active from 1957 to 1971.
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
A Tang dynasty tomb decorated with colorful murals is providing a new glimpse into daily life in China during the 8 th century. Most interestingly, the murals show signs of Western influence ...
Tang Yin is one of the most notable painters in the history of Chinese art. He is one of the "Four Masters of Ming dynasty” (Ming Si Jia), which also includes Shen Zhou (1427–1509), Wen Zhengming (1470–1559) and Qiu Ying (c. 1495–1552). His influence on the art of contemporaries, like Cai Han, is notable. [7]
The painting is in a rectangular shape, 37.5 cm in height and 28 cm in width. The silk cloth is dark brown in colour with a flat-line pattern. It is both one of the oldest Chinese paintings and one of the oldest silk paintings in existence. [1]