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In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Along with sub-Saharan Africa, the Western cultural arts, ancient Egyptian paintings and artifacts, and indigenous southern crafts also contributed greatly to African art. The abundance of surrounding nature was often depicted through abstract interpretations of animals, plant life, or natural designs and shapes.
The National Museum of African Art is the Smithsonian Institution's African art museum, located on the National Mall of the United States capital. Its collections include 9,000 works of traditional and contemporary African art from both Sub-Saharan and North Africa, 300,000 photographs, and 50,000 library volumes. It was the first institution ...
These styles have all borrowed from African rhythms and sounds, brought over the Atlantic Ocean by enslaved Africans. African music in Sub-Saharan Africa is mostly upbeat polyrhythmic and joyful, whereas the blues should be viewed as an aesthetic development resulting from the conditions of slavery in the new world. [21]
Sue Williamson and Ashraf Jamal, Art in South Africa: the future present, Publisher David Philip (Cape Town), 1996. Frank Herreman and Mark D'Amato, Liberated voices: contemporary art from South Africa, The Museum for African Art, 1999. Emma Bedford and Sophie Perryer, 10 Years 100 Artists: Art In A Democratic South Africa, Struik, 2004.
Magnin specializes in art from non-Western cultures, and especially sub-Saharan art. The CAAC came into being at a time when non-Western contemporary art was largely ignored on the international scene. It was founded shortly after the seminal exhibition The Magicians of the Earth at the Pompidou Center in Paris, curated by Jean-Huber Martin. It ...
Various other terms are used to describe it [1] including desert rock, Saharan rock, [3] Takamba, [2] Mali blues, [4] Tuareg rock [5] or simply "guitar music". [6] The style has been pioneered by Tuareg musicians in the Sahara region, particularly in Mali , Niger , Libya , Algeria , Burkina Faso and others; with it also being developed by ...
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K.