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Italian folk music is an important part of the country's musical heritage, and spans a diverse array of regional styles, instruments and dances. Instrumental and vocal classical music is an iconic part of Italian identity , spanning experimental art music and international fusions to symphonic music and opera.
The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
The saltarello. Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in Southern Italy, and the modern revivals of folk music and dance.
Tarantella (Italian pronunciation: [taranˈtɛlla]) is a group of various southern Italian folk dances originating in the regions of Calabria, Campania, Sicilia and Puglia. It is characterized by a fast upbeat tempo, usually in 6 8 time (sometimes 12 8 or 4 4), accompanied by tambourines. [2]
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
Calabrian Tarantella (in italian: Tarantella Calabrese or "Sonu a ballu": playing for dancing) is a generic term to include different musical-dancing expressions spread in Calabrian peninsula and different from other southern Italian dances called simply Tarantella. It is played and danced during religious festivals and other social occasions.
The most important book about pizzica and tarantism is The Land of Remorse, written by the Italian philosopher, anthropologist and historian of religions Ernesto de Martino. [ 1 ] There are several traditional pizzica groups, the oldest being Officina Zoé, Uccio Aloisi gruppu, Canzoniere Grecanico Salentino , and I Tamburellisti di Torrepaduli.
Also around this time, Italian flagellants developed the Italian folk hymns known as spiritual laude. Between 1317 and 1319, Marchettus of Padua wrote the Lucidarium in artae musicae planae and the Pomerium artis musicae mensuratae , major treatises on plainchant and polyphony , expounding a theory of rhythmic notation that paved the way for ...